The Rose & Thorn 
a literary e-zine

 

 

 


Fantasy

 

 

 

The Two Charlottes

 

by
Bret Fetzer

 

Once there was a lovely little girl with blue eyes and golden hair.  She was so very pretty her mother could not resist her every wish.  And, as so often happens, this little girl did not appreciate her mother's kindness, but took it for granted.  Indeed, she complained when her mother was just a few moments late with her glass of milk or didn't cut the most fragrant rose from the garden. 

The family lived in a great big house with a wide garden in back.  All around the garden was a high wall topped with sharp spikes and shards of broken glass to keep anyone outside from climbing over. 

One day, as this little girl wandered through the garden looking for something to complain about, she found a small door, just her height, in the wall behind a hedge.  Without a second thought she opened the door and stepped through even though she had never been outside the walls even once in her life.  Just her luck, the door did not lead into the street outside as any ordinary door would, where brutish criminals doubtless would have kidnaped her, but led instead to a lush green meadow where fairies dwelt.  These fairies were just as entranced by this little girl as her mother was.  They frolicked with her for hours on end.  The little girl gave not a thought to time for the sun always shines in fairyland and everything she could want appeared before she asked for it.  To her mind, this was a great improvement on things.  But the fairies knew they couldn't keep this pretty little girl without sending someone back in her place.  So they found a she-toad, dressed her in the little girl's clothes, and tucked her in the little girl's bed, where the toad drifted off to sleep hardly knowing what had happened.

When the little girl's mother came to wake her darling daughter in the morning, her heart almost broke to find a lumpy-faced toad in the child's place.  She gasped loudly, unable to comprehend what could have happened.  The woman's own mother came in and saw the truth at once. "You have doted too much on this child.  Too much rich food has swollen her lips.  Too many fine clothes have thickened her skin.  Too many pretty pictures have made her eyes pop out.  Strange that it should all happen at once, but such is the price of indulgence.  Haven't I warned you that no good could come of such doting and coddling?” 

The poor young mother hung her head in sorrow and shame. 

"Nothing to be done about it now," said the grandmother sternly.  "Embrace your poor child and do what you can to make up for past errors."

So the girl's mother swept the toad up in her arms and wept.  Copious tears bathed the toad's head. You would think that the toad would appreciate the moisture after a long dry night, but tears are very salty and the toad was very startled.  The toad opened her mouth and let out something between a croak (a common sound from a toad) and a shriek (a sound toads almost never make) that was very unpleasant for everyone.

"There there, there there," said the girl's mother with deep affection though her heart was breaking.  She gently patting the toad on the back and before long the toad was soothed and even began to feel a little warm inside.  The sad truth is toad children do not have affectionate parents.  When they become parents themselves they only know what they've been shown and do not become any more affectionate. 

"Poor little Charlotte," said the girl's mother softly.  Charlotte was her daughter's name and now it became the toad's.

The next morning Charlotte's mother dressed the toad in a pretty little bonnet and frock and took her to school.  Charlotte the toad staggered beside her new mother, for she was unused to walking only on her hind legs.  Her new mother held one of her webbed hands firmly and Charlotte found this comforting in an entirely new and gratifying way.  Happily she struggled to keep pace with her mother's broad, determined steps.

When they turned the corner dozens of noisy children ran this way and that, throwing toys and rocks at each other, screaming nasty words, and pushing each other into puddles and mud.  Charlotte shook with fear.  She'd seen her friends and relatives maimed or killed by the careless pranks of young boys and girls.  She hid behind her new mother's skirts.  But Charlotte's mother was now determined not to shield her child from the difficult side of life.  Gently but firmly she pushed Charlotte forward through the crowd.  As more and more children noticed this strange new presence in their midst, an unusual quiet spread throughout the playground.  Boys and girls stared, astonished at Charlotte's rough skin, wide lips, and bulging eyes. 

By the time Charlotte's mother brought her changeling to the school's front door, all of the teachers appeared, drawn by the school yard’s preternatural calm.  The headmistress, her back stiff and straight, looked into the fierce green eyes of Charlotte's mother and then down at the prettily dressed creature.  The headmistress herself had not been a pretty girl--though she had not been as peculiar as Charlotte--and found her normally stern heart melted by this mother's passionate devotion to her unattractive child.  She at once took Charlotte under her wing and placed the toad-child in all the proper classes, even though Charlotte could make only guttural croaking sounds. 

After weeks of strict but supportive tutoring, Charlotte found herself able to speak in basic, one-syllable words.  Her mother and the headmistress embraced each other tearfully when Charlotte managed to say the word “pillow.”  Charlotte herself practically burst from happiness at the love in both women's eyes.  Even Charlotte's grandmother, who normally found nothing kind to say about how Charlotte was raised, glowed quietly and placed her hand softly on Charlotte's mother's shoulder as Charlotte squatted at a small table, swatting determinedly but ineffectively at a small porcelain tea set.

The Fairy Feller's Masterstroke by Richard Dadd -- Courtesy of Carol Gerten Fine ArtMeanwhile, in beautiful fairyland, the original Charlotte had begun to grow bored.  This was unreasonable, for anything you can imagine comes true in fairyland.  The sad truth is that the original Charlotte--though perfectly smart and certainly pretty--was not very imaginative.  Without one's own imagination the efforts and notions of others--even others as inventive as all the fairies were--begin to pall.  Charlotte fretted and curdled and threw her golden spoons and her mother-of-pearl dishes, spilling ambrosia and nectar and delicious fruits everywhere.  The fairies were distressed, for no one had ever lost interest in fairyland before.  They redoubled their entertainments and took Charlotte on whimsical adventures through the most delightful landscapes ever seen, but Charlotte was only briefly distracted.  The moment the next flower failed to be more brightly colored or richer in scent than the last one, her face settled into a dour scowl, her eyes half-lidded with disdain. 

The fairies began to panic when confronted with this foreign and frightening dissatisfaction.  Finally, for the good of their entire society, it was decreed that Charlotte must be returned to her original home.  Charlotte was mesmerized into a slumber.  A small squadron of fairies carted her into the ordinary world, into her very own bedroom, where they tucked her carefully into her very own bed.  They searched briefly for the toad they had left in Charlotte's place; unable to find her, they assumed she had been quietly drowned, as happens most often in cases like this, and flew back to their beloved home.

The new Charlotte was not at home because her mother and grandmother had taken her to the theater, where they saw a comedy about something Charlotte didn't understand at all, but her mother and grandmother laughed and that made Charlotte very happy.  On the way home Charlotte's mother wrapped her arms around Charlotte as their carriage bounced and jostled on the cobblestone streets.  Charlotte grew sleepy-eyed as her mother carried her into the house and up the stairs, singing a quiet lullaby as Charlotte drifted off.  Charlotte's grandmother opened the bedroom door for the mother and her poor ugly child then lit a candle so they could see well enough to fluff the pillows and turn back the blankets.

When they saw the original Charlotte sleeping angelically where she always had, both women froze in place for a moment, confused.  Then Charlotte's grandmother blew out the candle and they both walked quietly from the room, while the toad still slept in her new mother's arms.  Carefully, so as not to wake her, the grandmother took off all of the toad's pretty clothes and tossed them into the kitchen stove where they swiftly burned.  Then the two women took the toad-child into the back yard and, after three swings to gain momentum, threw the toad over the high surrounding wall, making sure that she did not get caught on the spikes or broken glass on top.  They didn’t want her to be impaled there, where they would have to see her every day.

Three days later, while running upstairs to her room in her stockings screaming about the ugliness of the shoes her mother had just bought for her, golden-haired Charlotte slipped, fell between the spines of the bannister and tumbled down to the floor below.  When she had been taken away in a carriage with its windows drawn, Charlotte's mother, grandmother, and the school headmistress--whom the other two women had taken into their confidence--discreetly searched the surrounding neighborhood, but found no sign of the toad.  They then searched the house and the surrounding yard in the dim hope that the toad might have found her way back in and was quietly living in a pile of dirt below the snapdragons or under a rock behind the tool shed.  But they found nothing and neither did they find a small door in the wall behind the hedge, for the fairies--mindful that when worlds are crossed trouble often follows--had taken it with them, never to return.

 

Bret Fetzer writes plays and short stories.  If you enjoyed this fairy tale, you can find two collections of his original fairy tales available at www.pistilbooks.net.  He lives in Seattle, Washington.  Bret appreciates the patience and tolerance of the editors at The Rose & Thorn. 

 

The Fairy Feller's Masterstroke by Richard Dadd is available at Carol Gerten Fine Art

 

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