The Rose & Thorn 
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Fiction

 

 

 

 

Memories

 

by
Gerri Davis

Dedicated to Sonia Larissa Jackson Boonstra

 

Mother says my earliest memories cannot possibly be of the Russian orphanage where I was placed at two and a half years old.  But I am the one who lives with these images.  

It was 1977.  

I entered the orphanage as would a storm, screaming and lashing my feet against a caretaker who held my tear-stained face tightly to her breasts.  I scratched her face yet, bless her, she held me closely until I was safely placed in a crib.  Her face mirrored mine, a plain face, red from strain.  As she leaned over me, clear blue eyes stared into mine.      

My dimpled knee swung over the crib in an attempt to free myself, but the caretaker took hold of me and placed me in the crib again and again.  Though her hands were as sandpaper against my skin, her voice was as soothing as a balm and her murmurs of ‘hush,’ so gently offered, led me to sleep.  

Morning sun streaked through a crack in a wall near my crib. I awoke to the sun's rays and children screaming as they grabbed at the air for milk and touch.  The scent of urine permeated the nursery.  Fully awakened, I howled.

The collage of sights and sounds remains with me.  Sounds of crinkling paper slippers moving through the rows of cribs, caressing whispers of, "Shhhh," meant to soothe sweat-stained foreheads, words of, "Acch, the smell," from harsh voices, infants rising as if of their own accord from slat prisons, hands dipping my small body into sudsy water, the drying of our wiggling forms, short tops serving as the only covering, tipped cribs, puddles of warm urine trickling into waiting buckets, the chafing noise of the scrubbing of the cribs.  Even now, in the middle of sleep, I hear the snap of freshly cleaned covers as they cut through the air.  I recall their coarseness against my skin as I fight my way out of the maelstrom of sleep.

Images of bottles of milk propped against wooden slats stay with me.  If the milk soaked its nourishment into the sheets, tiny, shriveled hands grasped at the sweet moisture.  Mouths sucked cloth until sleep lulled babes back to nightmares or the rare gift of dreams of family, a warm embrace.

Older infants held their bottles high as though they were prizes, and drained their contents until only air existed.  Toddlers were fed sticky mush and hungrily grasped at spoons.

"Greedy little ones," our caretakers said as the tasteless watered-down porridge slipped down throats.

None was greedier than I.

On that first morning my caretaker lifted me from the crib as I kicked and scratched at her.  This was also her first year at the orphanage and so she kept a diary of my progress, among others.  When the entries were translated they said my caretaker sang my name, Sonia, and rocked me until I was calm enough to enter the playroom where she placed me in a chair.  She wrote that I sat up straight, looking ahead.  I don't remember much of this.  Fortunately, the orphanage gave the diary to my adoptive parents.  I do recall flat voices responding to music in the most basic of rhythms.  The walls in that room were stark white and our voices echoed around them.  I remember shy, stoic smiles and a dance-like shuffling from left to right as we sang.  It seems an odd directive to me now.

The diary says that this caretaker was proud of my behavior until we played patty cake.  My flat hand curled into a claw that raked down the arm of a sweet child next to me.  Scolded, I was returned to my crib where I screamed over the singsong sounds of children.

At three years old, I was regularly placed in a playroom with two other children but again and again I scratched at their faces.  My punishment remained the same.  I was taken back to my crib to cry alone.         

And so I began rocking back and forth on my knees in my crib. I stared ahead as the caretakers whisked by, so the diary says.  The doctor examined me, finding me healthy enough, but so bored that the rocking had become my escape.  The notes read that when he patted my head my determined look met his stare.

Perhaps the caretaker who was so good to me wished me a better home.  Perhaps she wished to be rid of me. I only know it was my turn to be videotaped.  All of us were up for adoption.  Many couples came from other countries and wanted proof of healthy bodies.

The tape came out well.  It was that God awful pattern of pink pigs frolicking across my dress that enchanted me. I passed a mirror, touched the matching pink bow in my hair and covered my mouth with my hands as giggles escaped like breaking bubbles.  I was so pleased with myself that I smiled through the whole videotape.

After the day of the taping, I began running to the playroom, pulling at toddlers my own age who didn't behave properly.  The diary pages, and these my mother won't let me forget, say I moved to the stilted music adding raised eyebrows, flirtatious glances and exaggerated movements.  I became a star playing to a captive audience.  One caretaker brought a hankie to cover her mouth to stifle her laughter.

One day a new child came into the playroom.  She was sobbing. The caretaker's notes say I rushed to her saying, "Don't cry. Don't cry." The following day I crushed her with a hug. She cried from the squeeze. My embraces became lighter and eventually she came to sit next to me. We'd hold hands.

Moved from my crib and placed in a bed, I found my new friend in the bed next to mine. We locked eyes until sleep embraced us.

My rocking back and forth stopped and never again did I lash out.  Finally, at three-and-a-half years of age, I had visitors from America.

Once again I wore a colorful dress and pink bow.

I remember looking up at a dark-haired man and a pretty woman.  They talked to me but I didn't understand their words.  I smiled.  I was so happy to be back in a dress and, of course, to be the center of attention.

Three days later the woman from America held me in her lap as a Russian doctor gave me a shot.  "What a wonderful child," he said.  "Not a peep out of her."  He laughed and repeated the words in a language I didn't know.  The doctor was not looking at me, but the woman was.  I think that’s why she needs to believe I only imagine I remember the orphanage.  You see, Mother placed My Girl by William Haenraetsher hand over mine for what we both saw in the mirror before us was the reflection of a child screaming...
without letting out a sound. 

Once outside the orphanage, the woman leaned down to me.  I only recognized my name, Sonia, not the other words she spoke.  But I saw her tears and patted her face. I turned once to see the caretaker's face at the orphanage window. She waved a white hanky at me. I offered a tiny wave for two, as my friend stood next to her. I turned and held to the woman I learned to call Mother. We walked at my pace to a waiting car, which drove us to the airport and to my new home.  

 

Gerri Davis' publications include a fiction piece in Ranger Rick Magazine, fiction in Siren, a UMassPublication for women, and in Authors in The Park, a Florida publication. Nonfiction pieces include an essay on the writing process, articles in newsletters and human interest stories for The Standard Times and for The Greater New Bedford Magazine. The author holds a Master of Arts in Professional Writing from the University of Massachusetts at Dartmouth. Gerri lives in Narragansett, RI with her husband, Gary. 

 

My Girl by William Haenraets is available from Art.com

 

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