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The Watley Man and the Green-Eyed Girl
 
 

by
Eileen Kernaghan


The Shuswap most days in August is as smooth as a millpond, a glittering expanse of sunlit glass. Nonetheless, it's a treacherous lake, full of unsuspected hazards. Snags and deadheads lurk along the wooded shoreline, and with no warning at all a storm can sweep down from the hills with hurricane force.

Those are the days when houseboats break loose from their moorings, sailboats capsize and fir trees topple across campgrounds, crushing vacationers in their tents.

But on this particular August evening, as the Watley man half-dozed in the front seat of his Plymouth with a warm beer in his hand, such dangers seemed remote.

The Watley man was not short of things to worry about. The farmwives in this end of the valley, while generous enough with their cups of tea and their raisin scones, were begrudging with their cash. They'd buy a bottle of liniment or two, a tin of salve for the baby's bottom, but when it came to fancy soaps and hand-lotions, their egg-money stayed in the kitchen cupboard.

Which might explain why this route had changed hands half a dozen times in the past three years. Some of his predecessors had found salaried jobs. Others had dropped out of sight. One Watley man, according to local rumour, had simply abandoned his car by the side of the road and disappeared in mid-route. Maybe that's what happened to all old salesmen, the Watley man thought ruefully. They faded away like old soldiers, vanishing with their shabby sample cases into the green Okanagan landscape. But more likely they just moved to Kamloops or Vancouver.

Meanwhile his wife back in Penticton was dropping hints about a new living room suite; his house taxes were overdue; and after a year of back-country roads the springs on the Plymouth were shot. The Watley man belched discreetly, pulled down the sun-visor and opened another beer.

The girl on the white horse, ambling quielty around the curve of the bay, caught him unawares. One minute he was alone, and the next minute she was there at the water's edge, silhouetted against the low sun. She was riding a big sleek-coated white stallion with a nervous look in its eye that suggested the Watley man would do well to stay out of hoof-range.

It was far too much horse for a slip of a girl, and yet as she gathered up the reins and nudged the animal forward, she seemed effortlessly in control.

She was a tall girl, in faded blue jeans and a man's denim shirt several sizes too large. A little too thin for her height, thought the Watley man, assessing her with an expert eye, but what there was of her was nicely assembled. And no more than sixteen, with that irresistible bloom that fades by twenty. She had a small, pale, pointed face, and hair so blonde it was almost silver. Her eyes were green, green as new leaves, green as meadow-grass, thought the Watley man who, like every good salesman, was half-way to being a poet.

As they approached the Plymouth the big horse bridled, curling back his lips to show huge, foam-flecked teeth. The slanting light through the alders gave his smooth flanks a greenish cast. He fixed the Watley man with a baleful eye.

"Gently, Bainseach," said the girl, leaning forward to stroke the animal's neck.

"That's a damned funny name for a horse," said the Watley man through the open window. "What kind of name is that?"

The girl glanced down at him. Her expression was solemn, almost schoolmarmish, he thought. "It's Irish," she said. "He's an Irish horse."

She nodded. He liked her gravity, the directness of her gaze, the cool aplomb with which she sat her horse.

"And what's your name, then?"

"Siobhan." She gave the name a Gaelic lilt, like a phrase of music.

"Can't say I've ever run into a Siobhan before. Plenty of Kathleens, and a Colleen or two. And it seems to me I recall a Bridget. None of them as good-looking as you." Most girls her age would have giggled, maybe blushed a little, wondered which way to look. This one narrowed her grass-green eyes and stared him straight in the eye.

Watley man felt an all-too-familiar yearning. This won't do, he reminded himself. This won't do at all. He'd sworn, after the last time, that he'd never be led astray again. He'd had a city job back then, steady salaried work in a lady's shoe store.

And he'd lost it when he'd let his eyes and his hands wander.

But oh, the sweetness, the slimness, the terrible dangerous innocence of young girls. The tender curves of their thighs in skimpy shorts, the slenderness of their cinched waists in summer dirndles, all thrown away, thought the Watley man, on fumble-fingered youths in the back seats of Chevies.

"Goodbye," said the girl, and gently kneed her mount. Her mouth was grave as a saint's, but her eyes were full of a wild green light. With his heart in his throat the Watley man watcher her ride off, plaits bouncing like braided moonlight against her retreating back.

The next afternoon he happened to find himself parked by that same grassy stretch of lakeshore. And purely by chance, just as the sun slipped into the lake in a dazzle of rose and gold, the green-eyed girl rode out of the larch trees.

She slid from the saddle and wrapped the reins around an alder branch. She was wearing a white halter that left her midriff bare, and tight-legged jeans. The Watley man realized, with a shock, how very thin she was, how unnaturally pale. Her skin, which should have been brown from the August sun, had an almost nacreous glow. He wondered if she had been ill. There was infantile paralysis all up and down the valley that summer. It could explain her precocious air of gravity, of self-containment.

"I've brought you something," the Watley man said.

The girl raised her brows. Her solemnity at once disturbed and profoundly excited him. He reached into the back seat of the Plymouth and pulled out his sample case. Rummaging among the tins of zinc ointment and cinnamon sticks, he found the box of Watley's Rose-Scented Soap he had packed that morning. The girl examined it curiously, and dropped it into a leather bag on her saddlehorn. She did not thank him, and he could not tell whether she was pleased with it or not.

Uncertainty made him rash. "Do I get a kiss for that?"

She shrugged and stepped closer, standing pliant and unprotesting in his embrace. Her lips were glassy cool, her tongue meeting his like a small darting fish. The bones of her back and shoulders felt as porous and delicate as a bird's.

"You're a witch," he told her. "A beautiful little green-eyed witch."

She stepped out of his arms as coolly as she had entered them. "I have to go now," she said.

"Yes," said the Watley man, torn between common sense and the dreadful urgency of his desire.

Behind her the white horse whickered softly. The girl turned, unfastened the reins, swung lithely into the saddle. She looked down at the Watley man. "I ride here every day," she said.

On the third day she came to him again, as willingly as a bride. The Watley man's hands worked deftly, intently, undoing the buttons on her denim shirt. Her small, high breasts were white as skim milk, faintly veined with blue. She stood quietly, her face somber and self-absorbed, as he unbuckled her belt.

Naked, she was narrow and supple as an otter. Her compliance astonished and aroused him. She seemed curiously childlike, sexless, almost, in her unquestioning obedience. There was nothing he could not do with her, to her. Her small pale hands grasped him, stroked him, as artlessly as she had caressed the white stallion's neck. He cupped her face in his two hands, as gently as he might have held a piece of egg-shell china.

"Do you want to please me, little girl?" he whispered with his lips against her white-gold hair.

Almost imperceptibly she nodded. And gently, gently, with his blood singing in his ears, he drew down her silken head. At the last moment, realizing what was expected of her, she tried to pull away. He held her firmly as she wriggled in his grasp. Then, with a small sigh of assent, or acquiescence, she did as he wished.

In the midst of it all he heard the white horse whinny, heard the angry, impatient scraping of hooves on the sandy ground.

Afterwards her cheeks were flushed, and she refused to meet his eyes. As soon as she was dressed she rode off without a word or a backward glance.

That's the last I'll see of her, he thought, with guilt, and sadness, and under it all an immense relief. But, the next evening he heard a whisper of leaves, a faint clicking of hooves, and when he looked up she was there. She was smiling shyly, hesitantly, as though they were meeting for the first time.

"I'm riding that way," she said, pointing round the curve of the bay. "Come with me."

He shook his head. "I'm a city boy," he said. "Never been on a horse in my life."

"It doesn't matter. Put your foot in the stirrup, that's right, and pull yourself up behind me."

He wrapped his arms around her, nuzzled her downy nape. She looked over her shoulder, laughed; then they were cantering briskly along the shore.

 

 

"Hang on tight," said the green-eyed girl, and she kneed the white horse to a gallop.

His hat blew off. The wind tore at his shirt and stung his cheeks. He could feel the stallion's great smooth muscles moving

Graphic by B. Huffman

by B. Huffman
Dragon Works Graphics

under him. They raced through a cow-pasture, leaped a fence. Then they were on an abandoned logging road, dust billowing up under the horse's hooves, the lake a steel blue glitter glimpsed through fir and hemlock boughs.

"Where in God's name are we going?" asked the Watley man once or twice. But if she knew, she chose not to answer.

Their pace slowed as the gravel road dwindled away into a narrow, rutted track through old-growth forest. They had left the campgrounds and the last of the summer cabins miles behind them; they were moving ever deeper into unknown country, into the gathering dusk.

When they came down to the lake again it had turned to slate gray and silver. A thin mist was rising. The air smelled of pine-resin, and water-weeds, and darkness. Here there was no beach, only a strip of rank grass sloping steeply down to a granite ledge. As they rode out of the trees the Watley man could hear the slap and suck of the dark water washing over the rocks.

Without warning the girl drove her knee sharply into the stallion's side. The animal snorted and at once broke into a hard gallop, pounding headlong towards the lake. Realizing too late what was happening, the Watley man, who could no more swim than he could ride, snatched uselessly at the reins. Just before they plunged over the edge, the girl, who had been crouched over the horse's neck, straightened and leaned back against the Watley man. Desperately he clutched at her. Beneath his hands, where there should have been yielding flesh, he felt ridges and knobs and the hollow of naked bone.

She turned, and when he saw her face a great shriek rose in his throat. The sound he made was like the noise of a bandsaw striking metal.

And then he was falling and falling helplessly through bottomless depths of water, and the stallion swam with him, as fierce and as ravenous as a great white shark.

The lips curled back from the huge square teeth, the mane floated out like a tangled hank of weed. Hooves flailed, and the deadly jaws of the water-horse, the Each-Uisge, opened. As his lungs filled the Watley man felt skin, flesh, muscles tear and shred like rotten fabric. Blood gushed, coiling and flowering around him.

In a bright cascade of bubbles the water-horse dragged its prey to the bottom. The last thing the Watley man saw was a dark gleam of cobalt glass. Half-buried in sand and the wreckage of a salesman's sample case was a Watley's liniment bottle.

 

 

Ms. Kernaghan is the Winner of the Aurora  Award for 2001, Canadian Science Fiction and Fantasy for her novel, The Snow Queen. Her works include the award-winning "Grey Isles" trilogy of which  Journey to Aprilioth,  (1980) won a silver medal for original paperback fiction from 'The West Coast Review of Books';  and "Songs from the Drowned Lands" (1983) which won the Canadian Science fiction and Fantasy Award.  The third book in the series, "The Sarsen Witch," was shortlisted for the same award.  She also co-authored "Walking After Midnight" (Berkley 1990), a nonfiction book on reincarnation, based on a documentary by a Vancouver filmmaker.  

Ms. Kernaghan's poems and short stories have appeared in many North American publications, both mainstream and speculative.  Her books may be purchased through Amazon.com or Thistledown.sk.ca .

To learn more about Ms. Kernaghan's writing life and career, read our author interview: An Interview With Eileen Kernaghan by Rose & Thorn editor Sandra Merz.



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