Sci-Fi

 

 

Interface

by

Margaret Karmazin

 

I wake to glaring light and a nurse pushing up my eyelid. "Lucinda! Lucinda!" someone repeats. Then I hear my mother. "Oh, sweetie," she says, choked up. I feel her hands on me and smell her lily-of-the-valley perfume that she wears all year, even in winter.

"Honey, you're going to be all right!' she cries as she squeezes my arms, drips hot tears on my neck as she kisses me with her chapped lips. "Insulin shock, honey. Your glucose was down to 22." Then she gets that stern look in her eyes. "You went too long without eating enough, then took that long walk in the hot sun. Lucinda, you are fourteen and old enough to know better."

I understand everything that she doesn’t, and if she did - oh, if she did, she wouldn't waste time talking about such pointless matters. "Where's Groove? I have to talk to him."

She looks hurt but softens. "He went down to the cafeteria for coffee. He'll be back."

"I love you, Mom," I say because I know this is what she wants to hear and because I mean it. Her face is beautiful. It's the first time I've ever seen it this way.

She is somewhat shocked.

It's not possible for me to stop smiling. I can't relax until I tell Groove all about it

***


My mother named me Lucinda because it means "brilliant," she said. Not a perfect fit because my grades are rather average. She also said that "Luc" means light and that I would be a bringer of light. I thought she was engaging in major wishful thinking. Every mother likes to believe her child is the Second Coming, but I was far from it. I spent twenty-four hours a day irritated at everything and made it my mission in life to piss my mother off.

Groove, who is my half-brother from my dad's first marriage and fifteen years older than me, says I'm the only person he feels he can talk to in the family about his work. His real name is Grover Stanton Wyncoff and he loves my mother like she's his own, even though she and our father are now divorced. Groove comes over Friday nights for dinner, and every time drags me out to the porch or somewhere we can be alone to yap about what he does in the lab at Princeton. He graduated form MIT with a degree in computer science and a Masters in biotechnology. The Department of Defense is funding his research into virtual reality for training simulation. I assume that means they own his soul whether he knows it or not.

So last week, he and I were sitting on the porch steps. The side porch is this kind of falling apart thing that my mother would get someone to either fix or tear down if she could afford it. Since my father left, the old house is too much for her, but even though she talks a good story about our having to move out, we're still here after two and a half years. Groove calls the porch "the rat trap," but he likes it as much as I do, although I'd never give my mother the satisfaction of admitting that I liked anything. If I said something complimentary about the porch, she'd instantly find the money to "spruce it up" and before long, it would be pale blue and shiny white and look like one of Martha Stewart's creations. That look is so establishmentarian, so WASPy upper-class. That's why I painted my room black and midnight blue. I need darkness to unwind in.

Groove shuffled his long legs around, then leaned back on his hands. "Well, Luce, I have reached a high point in my research. Are you ready for what happened this week?"

Not really, I was thinking, but I humored him. He's quite the geek loner even though he makes the attempt to form normal relationships and is always dragging different women to our house. Only they always end up in the kitchen complaining to Mom while he and I talk. No one woman lasts longer than three weeks. "What's up?"

He works in this huge room full of computers with five or six other guys who all look the part of computer geeks. You know the types - lanky and stooped over with greasy ponytails or fat with half-inch thick glasses and the buttons on the shirts popping off. Groove, however, is actually quite attractive on the outside. He has intense brown eyes and black hair that flops over them, though as soon as he opens his mouth, you know he wouldn't know what sexy was if you had a gun to his head.

Before he began, he felt it necessary to say, "You're turning into a pretty girl, Light Woman. A long tall drink of water. Although why you insist on trying to ruin your looks is beyond me."

I sighed loudly. Why do adults feel it necessary to make this comment? Why do they expect us to want to look exactly like they did at our age? Like those frightening outfits from the eighties didn't scare their own parents? Gigantic hair, robot shoulders, clownish eye make-up? How about the sixties? The fringed pants dragging in the dirt, Jesus hair, eyes vacant on LSD? Puleeze.

"I’m not trying to ruin my looks," I said, bored already. "A lot of kids happen to like my appearance!" I added, although I had no evidence to back that up. "People your age want everyone to look like they're in the Girl Scouts!"

"Hardly," he said. "I mean, why do you dye your gorgeous auburn hair jet black and why do you wear black clothes all the time and those sinister tattoos and blue lipstick? All that makes you look like a heroin addict with AIDS. Either that or a vampire."

I guess he doesn't realize the tattoos are stick-ons. I'm not allowed real ones or piercings by my doctor. "A diabetic doesn't invite infection. You don't even want to go there," she told me. "It's a political statement," I said, rolling my eyes.

"Well, anyway," he said, shifting his legs and leaning forward. Finally getting to the point, now that I was thoroughly pissed. "As you know, Verge and I have the VR suit well up and running. We've all spent hours inside it, at least those of us who fit. Chris is out, being that he checks in at two hundred eighty pounds. It's a pity he can't experience it, but well, all those hoagies and chocolate donuts - what can I say? I'm going to get you into the lab sometime in the near future, Luce, so you can try it on yourself. It's a matter of waiting until the best time to sneak you in."

He said this every time and I had still not visited the lab. But I didn't hold it against him; I could certainly think of better places to go, although putting on that suit did sound temping. "Tell me more about this suit," I said.

He pushed his glasses up his nose. "It's made of this stretchy material, part Lycra, part poly and other assorted things. We sewed sensors all over it and I do mean all over." He blushed. Of course I knew what he meant, but I pretended to be stupid. Why embarrass him more? "On the fingertips, there are a lot. The suit covers the face too, leaving nose holes open, but there are tiny tubes that squirt minute amounts of scent molecules into them."

"What about the eyes?" I asked.

"They're covered by goggles. Your entire self is encased except for the breathing holes. You can open your mouth inside the face covering. The material lets some air pass through."

"Are there sensors where your hair would be?"

"Some, yeah. We tried to space them out according to actual sensory clusters on the human body. Where the cluster population is thick, so are the sensors. A bald person would feel the most, of course," he paused. "I should check my blood sugar after eating that dessert. It's been two hours, right?"

My brother is a Type I diabetic just like me, only he started later in life. He's got some pancreatic action while mine is minimal. Getting my blood sugar stabilized was often touch and go. They were talking about implanting a pump in me, while Groove does fine on two insulin shots a day. To be honest, I was about ready for the pump. The way things were, it was becoming hard to live a normal life. Who am I kidding? There was no hope of ever living a normal life. No one I knew at school had the remotest grasp of this. To Groove, I said, "No problem with the dessert. It was made from sugar-free yogurt."

"Oh," he said. "It tasted delicious. I concluded it had to be dangerous."

"Go on about the suit," I said.

"Well, when you put it on and turn on the controls, baby, you are in the virtual world! As far as we know, no one else has got it down to this degree. An article is coming out in Scientific American and another in Virtual. This is the top of the line as far as the virtual community goes. When you put on that suit, you are in that world. This is no juvenile video game, Luce. No waxy looking characters with the coloring of painted photographs from the 1940's. No, no, I am talking actual blades of grass, hairs on knuckles, dogs that move like dogs, flags that flap in actual wind. That wind is on your face and you can smell that dog. You're in there and suddenly you are not sure what's going on and there's a moment of real existential confusion. Someone watching sees this dodo in a funny skin suit lurching about, grabbing the air and talking to himself, but inside that suit the person is dealing with Reality, with a capital 'R.' The fun part is that we get to play with that reality, make things that shouldn't fly fly, things that shouldn't talk talk. Disneyland for grownups if you know what I mean."

I did. "You're sort of God in there."

He nodded very seriously. "Yes. God." For a moment, he was silent. Then, "The suit is only the start, though. But there is where I run into problems."

I was starting to get a pretty bad headache, but suddenly wanted to last longer in this conversation. I should have tested my own blood sugar an hour ago. But sometimes I just wanted to pretend that things were normal and that I didn't have to stab my finger every friggin' hour. I had hardly eaten at dinner since I was sick to death of pizza and hated that yogurt dessert, which Mom made about once a week. "Which are?" I asked.

"The problem is interface. In the suit-"

I interrupt him. "What's interface?"

"Oh, I should have explained that. The interface is where the body or mind connects to the sensory input from the virtual world. The University of Michigan Direct Brain Interface Project hasn't even come close to what we've achieved and what we have in mind."

"Groove, I need some sugar."

He immediately produced from his shirt pocket a tube of mints. I crunched my way through a few. Neither of us noticed that they were sugar free. When he was on a roll, he seemed to forget how bad I could get, but he's that kind of person - very obsessed and excited about things.

"Wait till they read our articles," he said.

"So what's the problem?" I asked, expecting to feel faintly better shortly.

"The thing is, wearing this suit, even though it may be the only one of its kind in the entire world, is still clumsy and primitive. Real interface would be directly between the brain and the virtual world."

"You mean like in the Matrix? Like in The Thirteenth Floor?" My brother had taken me to see Matrix and shown me the video of The Thirteenth Floor.

His eyes were shining. "Yes, exactly. That is what I'm aiming for. And, I'm only telling you this; you are the only person outside of my colleagues who will know this right now. We've accomplished one tiny bit of what we're aiming for. Yesterday, Miles sent an impulse directly into his optic nerve and for a split second saw a portion of our virtual world. Directly, do you understand, Luce, not with the virtual suit!"

At times, I was aware that this brother of mine who came for pizza could be remembered in the future like Einstein is now.

"The optic nerve?" I said, but I was not feeling so hot. I knew I should go to my mom and have her help me get some serious food down. A big glass of OJ, then some slower carbs and some protein, nuts maybe.

He was silent though. It was a starry night and he looked up at the sky. "I am going to tell you something I haven't told anyone else," he said. He looked around like a person in an old gangster movie. "I'm starting to suspect something. You know how it was in the Matrix? How the whole world was really virtual reality and machines were running it all?"

"Yeah," I said.

"And in The Thirteenth Floor, they were all in a virtual world and didn't know it, either?"

"I know where you're going," I said.

"Do you?" His face was very serious in what was left of the light outside. His eyes were dark points under those glasses.

"You think we're in one, too. Is that it?"

He inhaled so sharply it sounded painful. "Yeah, Luce, I suspect that we are. It occurs to me over and over as we work." He stood up and waved his arms. "All this, the trees and birds and fence posts and grass blades - everything. Everything could be, very likely is, a fantastic, huge virtual reality program running. And we - who knows what we are? Are we just characters in a set on a Star Trek holodeck who only imagine that we're alive? Or are we something else outside of all this that interfaces, somehow interfaces, with this world?"

 

 

He was worked up and I caught his emotion. Not real good for me, considering how I was feeling, but for a moment it lifted me up. I stood up beside him and looked out into the yard.

"I haven't seen your new virtual world, so it's kind of hard for me to imagine that everything here is just a virtual reality program." I bent down to pick up a stone. "Like this feels hard and smooth and cold. It feels very real, not like something in a big video game." My hand was shaking.

I had never seen him so serious.

"Lucinda, it's the early twenty-first century and a mere advanced ape like myself has created a semi-decent virtual scene with a primitive but fun interface suit. Technology is evolving at breakneck speed. Ten years form now it may be a thousand times what it is today. Mere ape men, Luce. Now, supposing we have a Creator and he/she/it is infinitesimally more intelligent than we are - coming up with a believable virtual world for the virtual inhabitants to sense as real would be a walk in the park for said Creator, wouldn't it?"

I didn't know how to answer him and I wasn't sure I liked the idea of just being a character in a video game, even if it was a really big, fancy one.

"But what's the point? You mean God playing around? Like if He gets bored, He might just switch it off?"

He was looking off into space. "I don't think God or whatever you want to call it has the mind of a bored teenage boy, no. Why it would have this virtual reality program running is beyond my scope. The thing is, see, I need to know if we're just figments in the game or if there is an interface."

"Interface again."

"Yeah, like if there is something intelligent interfacing with his program. If it is indeed a program. Does every human character in this program have something from a higher reality interfacing with it or are some just fill-in characters to make the story interesting? And if everyone does have something interfacing with it, how exactly is that done? We would be crossing into the area of spirituality here. The soul interfacing with the body? But how, exactly? Possibly through the left temporal lobe? Some fringe scientists have been speculating about that serving as the receptor of sorts." He was so excited that he was blithering.

"Groove," I said as forcefully as I could, "I don't feel so good."

And that's the last thing I remember.

***


While we wait for my brother to come back from the hospital cafeteria, my mother is sitting by the bed continually rubbing my arm or touching my hair with an expression on her face that is a total mix of things. I can see all the parts in it, as if I'm looking at a bouquet of flowers and picking out the roses and carnations and daisies and ferns. Before I couldn't do this, but now it's so evident. By one of the parts, I see that she is terrified I might slip away again. By another, that she is totally relieved and can't believe her good luck to have me still with her. In another, I can read her loneliness at being without my father, at having to go through this by herself. She doesn't have an inkling how not alone she really is! She's completely blind to the helpers all around her, something I was amazed to discover! And last but not least, she's afraid that I might not grow up unless they get this under control. It's all written across her face as clearly as printing on a billboard.

Groove walks into the room unaware that I'm awake, but as soon as he sees, he shouts, "Light of my life!" and plants a wet one on my forehead.

"Groove," I say, looking past my mother's anxious face and only at him. "I found out what you need to know."

It's like I can read minds now. "Has she lost her marbles?" he's thinking. "The insulin shock did some serious brain damage." Although he actually says nothing.

"No, my brain is fine, better than ever. I know about the interface," I tell him.

He gets a wild look on his face. I see immediately that he's embarrassed for Mom to hear whatever it is I might be about to blurt out. But I would like her to hear it, too. "I found out," I say.

Not here, his eyes yell, but after where I've been, secrecy means nothing to me.

"I was technically dead for a while, wasn't I?"

My mother's face blanches and I can tell that she's preparing her lie.

"Mom, don't bother. I know anyway."

She bursts into tears.

"How long was it?"

"They said seven minutes," she admits.

I look to Groove with triumph. His face is as white as printer paper. "See?" I tell him "I'm a position to know. You can just speculate but I know."

"Don't let yourself get too excited," warns Mom, but I am feeling better by the second. I hoist myself up to crook my finger at my brother. He can't help himself; he moves closer.

"You see," I tell him, "I was out of the program! I was out, down the tunnel! A tunnel of whirling black stars and people waiting at the end! But the thing is, the thing is, when I came back, it was like slamming into my body and are you ready for this? I was upside down!"

"What do you mean?" he whispers.

"I was upside down inside my body! My body was on its back but I was face down! And it was hard to turn around! I had to struggle and struggle, but eventually I made it and then hooked in!"

"Hooked in?"

"Well, fit back in. I had to slide back into the right position, you see."

He tilts his head to the right like he always does when absorbing information.

I want to smack him, he is being so dense. "You know, the INTERFACE. I had to hook up into the INTERFACE."

He staggers backwards until he meets up with that ugly vinyl chair they have in every hospital room, where he slams down looking shocked. And, I see, scared out of his wits.

***


When I completely recover, which doesn't take long, Groove and I are once again sitting on the porch steps, only now there's a sudden cold spell and our butts are ice cubes. But if we stay in the house, my mother and the current girlfriend will overhear.

His face is like an eight year old's. Big brown eyes, eyebrows up, but mouth tight like it's waiting for something scary.

"Okay, give it to me," he says. "Are we living in a hologram?"

"A hologram," I try to explain, "is merely a minute understanding of the whole. As Einstein's Relativity theory will be entirely outmoded in a bit more time, so will the holographic theory. The Whole is the Whole, a manifestation of Light. Am I making sense to you?" Clearly not. He is looking at me blankly.

"However you fathom it presently, we will see it differently in fifty years. Fifty more years, and the idea will expand again. We will grow in ability to grasp the Whole as long as we keep interfacing with this world. Maybe some day in the far future, we will no longer need to learn. Understanding will be instant."

"But," he insists, "yes or no. Is this a hologram?"

"Who cares?" I almost yell. "Yes! But don't stop there! Keep going!"

In his confusion, he looks more beautiful to me than anything I have ever seen. And so does that poor cold moth buzzing in a circle on the porch floor and so does that dried up leaf hanging on that geranium. I am well aware that it is only a matter of time before I slip back into my teenage world and forget all that I have glimpsed, forget the Whole. But for the moment, I remember.


Margaret Karmazin's credits include short stories in The MacGuffin, North Atlantic Review, Virginia Adversaria, Weber Studies, Mobius, Reader¹s Break, Medicinal Purposes, Aim Magazine, Emrys Journal, Dark Moon Rising, Chiron Review, West Wind Review, Anthology, Algonquin Roundtable Review, Futures, Carve Magazine, Bellowing Ark, The Paumanok Review and others. Her story in Eureka Literary Magazine was nominated for a Pushcart Prize and Pipers’ Ash Ltd. in England published a chapbook of her sci-fi stories, COSMIC WOMAN. Her fantasy novel, BONES, the story of a prehistoric Native American shaman, is available on Amazon.com

 

Relativity courtesy of Art.com

 

 

Have comments you'd like to send the author?
Please e-mail Margaret or fill out the form below:

 

Comment (s) / Feedback 

 

Your name:

 Your email address: (e.g.: you@aol.com)
 

Title Of Story/Poem/Article

 

 Send the Author your comments

 

Don't forget to bookmark
The Rose & Thorn (A Literary E-zine)
   

Magazine | About Us |Advertising Info | Archives |Author Interviews |Awards
   Boards | Books |Chat | Craft Of Writing | Credits |Links | Markets |Masthead
Newsletter |Resources |Scribe's Page | SignUp | Submissions |Travels | Web Rings