The Rose & Thorn 
a literary e-zine

 


Essay

 

 

 

Literary Listeria

 

by
Alexandra Fox
 

 

There are three words that have moved with me from house to house.  They were packed, unpacked, and left sitting on the mantelpiece in plain view, next to the clock. Now I can’t find them. Maybe their shelf life was past and someone threw them away without thinking. Words should come with barcodes and a sell-by date. 

I looked in the back of the larder the other day and came upon some that should have been chucked out years ago. Behind the unused squid-ink pasta and the tins of alligator chowder from a long-forgotten holiday in the Everglades, I found a little pile of them, redundant, mouldering gently in their mildewed corner on the highest shelf. I peeled off a couple and stuck them in a story: "decorous’ and "homilies", "felicity" and "frivolous". I should really have given them a good rinse first. Sepia words they were, predating date-stamps, and people commented on the musty taste left in their mouths. 

Slightly more recent words linger in my fridge. Look underneath the processed cheese in its round red wax jackets and you’ll find "like, whatever". I’ll clear that one out quickly and give the shelf a good wipe down. I was lucky with "mutant hero turtles" and "transformers"—I put them in the freezer for a few years and they came out again as good as new. "Grotty" and "groovy" didn’t fare so well. I thawed them out the other day and the whole family thought they had word poisoning. 

There are rich fruitcake words double-wrapped in foil and grease proof paper, pierced with a skewer and drizzled with cognac at regular intervals. "Catechism" and "Compline" are kept like this, preserved, not looked at often, their taste maturing year by year.

There are a lot of cherry stone words at the moment. I’ve only just learned how to spit them out.

Anthology I by DeRosier ~ Courtesy of Art.comI love fat words; I suffer from word obesity: grandiloquence, quotation, alliteration, assonance. I know I should go on a diet, cut out the calories, stick to three solid, pared down stories a day with no snacks. I’m not looking forward to it. Where’s the fun in that? 

There are a few outgrown words. They won’t come into their own again for me now at my age, but I’ll keep them in a box in the attic, strap it up with strong brown tape and pass them on to the next generation. Not goo-goo noises, patronising words, tellytubby soundbites, but euphemisms for functions not yet found unpleasant to a mother’s nose, like posset and soft motions before they turn to teenage puke and crap. There are soft words, too, gentle syllables of pampering, powdering, massaging, creases and dimples, but those I’ll hang onto. It might be sooner than I realize before they are needed again. 

Some of the juicy words are leaking through their packaging, overflowing, dripping. I’ll wipe up the mess with a dishcloth. And put them away again. Out of sight. 

I used to find some words quite scary—owls for a time and crocodiles, then Halloween and Alien and surrealist stretched, warped, screaming words like childbirth and blindness. It’s strange how you change. It’s the longer, deeper words that hit me now: tachycardias and carcinomas, and that more hygienic coinage by those doctors of letters: SVT, CCU, NSCLC, ITU. 

I still can’t find those three little words that moved with me from home to home. They were always propped up on the mantelpiece next to the clock with all the other invitations. Maybe they went past their use-by date and I dropped them into the fireplace without realizing what I’d lost.

 

Alexandra Fox is a middle-aged, middle-England village dweller. She is a wife, mother of five and a grandmother, and she runs her own business sub-editing and typesetting textbooks and journals. She recently decided to write her first short story and is now thoroughly enjoying life, writing profusely under the discipline of Alex Keegan’s Boot Camp.

 

 

Anthology I by DeRosier
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