The Rose & Thorn 
a literary e-zine

 


Craft of Writing

 

 

 

On Being a Know-It-All

 

by
Jason Fryer
 

 

“Do you have any books on Enochian magick?” I ask.

The bookstore clerk stares at me nervously. She recognizes me from last week when I inquired about Slavonic death rites in pagan Europe. I get that uncomfortable stare a lot these days, as if clerks and librarians are judging the route to the nearest possible exit. It just comes with the territory down here where some consider Harry Potter novels “the Devil’s work.”

“I’m doing research for a novel,” I explain. “I’m a writer.”

Suddenly, the clerk’s anxiety fades, transforming her face with smiles and sunshine. Somehow being a writer explains everything. I’m not a weirdo. I’m not a cultist. I’m a writer! From that point forward the clerk, Cindy, is always willing to help me find whatever I need. She also discusses her ideas for a book that she wants to write “eventually.” When she asks me what the key to writing is, I hold up my new book on the Polynesian Wars and tell her honestly.

“Know it all.”

Writers in the Information Age

Today writers need to be versatile and scholarly, perhaps even more so than only twenty years ago. With information so readily available, most readers have a wide range of knowledge. Some readers are rabid when it comes to factual accuracy, especially fans of the historical and science/fantasy fiction genres. Like it or not, someone out there will go through your work with a fine toothed comb. They demand you get it right every time. And in many ways, they are justified. Nothing can throw you out of a book faster than a glaring inaccuracy. It immediately shatters your mind picture and returns you to the “real” world. Even repeated small mistakes build up over time. If the author is unwilling to check facts, how much effort have they truly invested in writing the novel? It becomes difficult to trust the writer and truly lose oneself in the book, thus destroying the enjoyment of reading. On a personal note, I’ve actually returned a book that described the protagonist driving from Toronto, Ontario to Flin Flon, Manitoba in less than two hours, a considerable feat when one considers the trip is approximately 1,800 miles long. This was pure sloppiness on the writer’s part.

Although some genres require more factual accuracy than others--such as historical romance or techno-thrillers-- you, as the writer, should strive to know your subject with modest aptitude. While this in no way means you need to become a Rhodes Scholar, you should be able to discuss the topic with
some degree of certainty.

Digging Up the Bones

It has been said, only write what you know. This cautionary statement has been the bane of many writers. If you know nothing about the French Quarter of New Orleans, how can you write a murder mystery set there and sound convincing? How can you write the next Jurassic Park if you don’t know the difference between an allosaurus and a diplodocus? Don’t be disheartened; this is where research comes in. Thanks to the Internet, today's writer has near unlimited access to information on just about every subject, from Argentine coffee to wombat mating rituals. Simply type in what you need to know and chances are likely you’ll get it a moment later. Or, at the very least, the Internet will point you in the right direction and/or tell you what books to purchase on the subject. The Internet also virtually connects you to every corner of the planet. You no longer have to travel to Japan or New Orleans or plod through guidebooks to know what they look like. In many cases, you can actually view locations in real-time on web cam. Most cities have detailed web sites, discussing history, culture, and special locales.

Personally, unless I’m dealing with the “official” website, I prefer to corroborate electronic information with at least two sources. Like some nonfiction books, many web sites are biased or completely incorrect. Make sure that when you are taking the information from any website you’re using a credible source.

If you have cable television, watch the Discovery, History, and Learning channels. They offer programs packed full of credible information, presented in a concise and easy to understand manner. Simply check your local TV Guide for programs related to your writing topic. By recording the names of experts, many of whom are authors, you can track down further reading material later on.

For those who prefer the less technological route, there are bookstores and libraries. No matter how useful the Internet may be, nothing beats strong literary research. With few exceptions, you’ll be able to locate or order the books and journals you require from even the smallest local library or bookstore.  In addition, there is something satisfying about lounging around with a book, making notes, and knowing that you’re “working.”

Did I mention the tax-deduction? Buying “research” materials can be considered a tax write-off. Over the years I’ve amassed an eclectic library of reference books, enabling me to just take what I need off own shelf rather than trudging through the Internet.

Taking Note

Make plenty of notes and log your observations as you conduct your research. I suggest having a large scrapbook for writing everything down. I use a laboratory research notebook. In essence, you are building a miniature encyclopedia listing all the stuff you’ll need when you get down to the business of writing your novel. Feel free to paste photos and maps inside your scrapbook. Such visual clues are excellent for keeping your memory sharp. Also, they can serve as inspiration while you're working. Simply flip to the photo and soak in the ambiance. All of this will provide you with more flexibility and less time consumption than having to scan through a hundred printouts or piles of textbooks. It’ll also save you a great deal of space
when all is said and done.

Another benefit to note taking is what I’d like to call “connectivity.” Jotting things down by hand helps ingrain the information in your mind. Photos and other mementos are excellent for this purpose. Your mind ties it together in a form you will understand and recognize. You will quickly discover your natural structure for recording research material, one that allows you to find what you need when you need it.

Drawing the Mind Picture

So, what does all this work do for you? Simply put, research material provides you with confidence in the subject matter. In turn, this allows you to create an effective and accurate mind picture of the setting and people in your story. Through research, you will be able to see your characters move, talk,
and interact with their environment. Essentially, you’ll understand the inner workings of the real world. Silly mistakes on detail can be avoided more easily from this point forward. You’ll no longer need to stop in the middle of the writing process and search for facts or place-names. You’ll already know it all or, at the very least, have it immediately on hand. This confidence will translate into your writing, allowing you to create more freely.

Research can also provide you with a great deal of inspiration. History and science are a wellspring of ideas, and you’d be surprised what you can find even in the seemingly mundane. Much of the research you collect will never go into your book. However, simply knowing that information is to your benefit. It eases the way and later on your story may change in such a way as to require that knowledge. I may never need to go into detail, but when my characters dine at Mike Anderson’s Seafood in New Orleans, I’ll know what’s on the menu.

Knowledge is power. Use it to your advantage. Your fiction will always benefit from a pinch of reality. So, before you begin to write, get your facts straight. After all, you are taking your audience on a trip of the mind. Don’t lead them astray just because you were too lazy to know where you were going in the first place.

Be a know-it-all. Your readers will love you for it.

 

 

Jason Fryer has been a freelance writer for thirteen years, publishing fiction and non-fiction articles. Many of his publishing credits come from Europe. Originally from Canada, Mr. Fryer works as an Editorial Assistant for a medical journal in Texas and is working on his first novel.

 

 

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